Alona Jungmann | Helena Kristensen | Ruth Bircham
Duration: 8 November – 28 November 2025 Vernissage: 8 November 2025, 7 p.m.
This November, we present another international exhibition in the series “Feminine Power on Canvas,” bringing together three extraordinary contemporary perspectives – Alona Jungmann (Germany), Helena Kristensen (Denmark), and Ruth Bircham (United Kingdom) — in a powerful dialogue on form, emotion, and humanity. Curated by Nour Nouri, with an accompanying art lecture by Dr. Davood Khazaie, the exhibition explores how creation becomes a means of transformation: from nature to abstraction, from memory to architecture, from trauma to renewal.
Though their visual languages differ, the three artists are bound by a shared inquiry into the rhythms of life — its fragility, its endurance, and its capacity for rebirth.
Alona Jungmann transforms the act of drawing into an exploration of living systems. In her series green moments, every line breathes with organic rhythm, merging scientific observation and emotional intuition. Her works function like ecosystems of movement, tracing the invisible exchanges between body, nature, and light — visual meditations on life’s molecular harmony.
Helena Kristensen, in contrast, weaves together the languages of landscape, architecture, and memory. Her paintings — such as Black Widow, Gaisha, and Millennium City — bridge Nordic stillness and Mediterranean warmth. Through her tactile surfaces, Kristensen evokes the balance between culture and nature, intimacy and distance. Each canvas becomes an emotional architecture: a space where the past and present coexist in luminous equilibrium.
Ruth Bircham channels history and pain into a visual act of testimony. Working across painting, photography, and digital collage, she transforms personal endurance and collective trauma into art that demands remembrance. Her works such as Ocean of Tears — Jallianwala Bagh and Cry Africa Cry — Biafra expose the buried wounds of colonial and contemporary violence. Her most recent work, Left Behind (2025), portrays the horror of war through the eyes of a child — before and after an airstrike — turning innocence into a searing symbol of loss and protest.
Together, Jungmann, Kristensen, and Bircham form a triad of empathy. Each artist approaches life as a field of transformation: the microscopic becomes universal, the personal becomes collective, and pain becomes a language of empathy. We present their works as a testament to art’s enduring power to connect, to heal, and to reveal what words cannot express.
